WHAT DO I DO?

My Name is Paris Cullins I've been drawing comics and making comics character style guides
as well as syllabus for my clients for more than twenty five years I've done swamp thing,batman the animation ,superman,batman,and lots of other characters for dc comics
Ive done stuff for Defiant comics which started as Nintendo comics that was fun some British comic stuff and marvel too particularly for the Clive Barker's razor line when I was asked to do designs for game books and work for penthouse comics it was then that I realized that i had a particular niche

Hey here's a bunch of past work to gander, black and white pages, pencils and ink's some of the work is commission's others just for the fun I'll throw in some color covers as well to break the rhythm it's classic you'll see.

                                  here's a  page of a gen 13 story really enjoyed drawing them

i really liked what i was doing ...but now i think it's time for a change

being a fan of the classic marvel style 

that means i'm a fan of over expressive drama and very kinetic action with large panel arrangements 

lush scenery and backgrounds and that is not to say they are not doing that now

but some how it's not enough there's something wrong with the old 

and the new equation. Characters are more introspective than ever before

back grounds more myopic  but the feeling has become lost for a great many 

comics produced now. It reminds me of when the comic industry was flooded

with Argentine and phillpine artist like rudy nebres, alex nino ernie chan, ricardo estaban 

and so on.. if you think this is a complaint about them your wrong they were some of the most original 

and elaborate draftsmen in the business they up the game but what i found fasinating was that

the american comic artist really didn,t follow in the drawing better aspect of it at all. They told a better story

the more they concentrated on the panamime of the characters as if they knew instinctively,collectively that they

were weak in the drawing department but where the best in the characterization area expounding on emotions

was really key that translated into the hyper drama that is superhero comics!! they recognized that some realism had to 

be brought about ,but it had to maintain comic book hyperbole .. these are some of my audition pages 

looking for all the pencils but until then enjoy these fantastic inks by my man
BOB  PETRECCA

like you need to be told it's  CAP  vs  SUPERBOY !!!
should'a thew in some shield to go with the cadmus on the side

ORION SOCKS THE HOUSE DUDE!!

BACK WHEN THERE WAS NO WOVERINE

THERE WAS THIS GUY HE WAS THE GOD OF BAD ASSNESS

BUT I THINK NOBODY CAME CLOSE TO WHAT JACK DID OR INTENDED OTHER THAN JACK HIMSELF
BUT I SURE HAD A LOT OF FUN DRAWING IT